Bardia Yousefi BARDIA.SYN
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Bardia Yousefi seated, leaning forward, lit in green.
DirectorMotionAI film

Creative direction for motion and product films.

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The cut room

Bardia Yousefi — I direct.

I run AI like a film set: one vision, endless takes, a hard cut.

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Bardia Yousefi
Bardia YousefiDirector · Motion & AI film
Selected films01 / 07

Worked with MR IQOS / HOOMEHR Design / 3GAAM / Hamrah Mohajer

BARDIA.SYN / Motion & imageWork index

Scene 01 / Selected work

    Scroll or drag to explore
    00:00:00:00

    Scene 01B / Long-form edit

    Uranium

    Created by Bardia Yousefi · Documentary explainer · 7:50

    Excerpt 05:20–05:56 of the full film.

    The complete cut

    Work index.

    08 films

      Bardia Yousefi on set, framing a shot on a cinema camera.

      Behind the camera / On set

      Directionstarts behindthe camera.

      Before any prompt, I think like a camera operator: lens, light, blocking and timing. Every generated shot is planned the way a physical one would be, so the result feels filmed, not rendered.

      • Lens
      • Light
      • Blocking
      • Cut

      Scene 02 / Craft 9:16 · 16:9 · 4K

      What I direct

      A

      Brand films & motion

      3D-style motion design and kinetic type for brands, in Persian and English, cut to music and sound effects.

      Reels · Stories · Corporate

      B

      AI product imagery

      Photos and short ads built from real product references. Space, light and camera are generated; the product is never redrawn.

      Footwear · Jewelry · Fashion

      C

      Identity & web

      Logotypes, brand systems and bilingual RTL / LTR websites with cinematic motion.

      Brand · WordPress · 3D

      Bardia Yousefi sitting alone in an empty cinema hall under blue light.
      The room · where the cut is judged

      The room / Process

      Made forthe room.

      Phone, feed or cinema screen. I judge every cut the way an audience will meet it: pacing, sound and the first three seconds are decided from the seat, not from the timeline.

      Scene 03 / Rules on set Non-negotiable

      How I work

      1. 01

        The product stays itself

        The real photo is the final reference. Shape, color, stitching and branding never change. Only the world around it is built.

      2. 02

        Type stays clean

        Persian letters, dots and numerals stay exactly as set. Broken or regenerated text never ships.

      3. 03

        Original over referenced

        References set the bar for quality, not the design. Every piece gets its own idea.

      4. 04

        Motion that is real

        True camera and body movement, locked to the beat. No still images sliding around the frame.

      Portrait of Bardia Yousefi in green light.

      Directed by

      Bardia Yousefi

      Made with
      Higgsfield · Seedance 2.0 · Kling · Veo · Runway · ComfyUI · Topaz · DaVinci Resolve · After Effects
      Languages
      Persian · English
      Find me
      LinkedIn ↗ Instagram @bardia.syn ↗ Telegram @IOSonoBardia ↗

      Final scene / Yours

      Cut.

      Next scene: yours.

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